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okónkolo

  • The smallest of the set of three Batá drums, it serves primarily as the timekeeper.
  • omele

  • Other name of the batá drum Okónkolo.
  • oriente

  • The East region of Cuba, the Oriente, developed and preserved the specificity of its culture, and was a serious rival of Havana, the capital, which is a thousand kilometers away. It was the scene of the first clash with the Spanish conquistadores on the Cuban land, which, following the Christophe Colomb's steps, invested the island at the early 16th century. They made a harbour base in Santiago of Cuba for the arrival of the slaves, deportees from Africa, and imposed Santiago as first capital of the island.
    But quickly, Havana succeeds in taking supremacy, while becoming the natural port of call for the Spaniards in departure to Mexico and South America. Nevertheless, Santiago and Oriente maintained an intensive economic activity for several centuries. During the 19th century, the area grew rich by a massive arrival of thousands French colonists with their slaves, running away from Saint-Domingue where Toussaint-Louverture led an anti-slavery and anti-colonial revolution. Let us add few traces of Indians Tainos and Siboney having survived at the violence of the conquistadores, and we are in presence of a land rich of a great interbreeding, with multiple traditions, irrigated by Spanish, African, French and Amerindian cultures.
    The Oriente, " Tierra Caliente ", sheltered the first rebellions of slaves in Cuba, thanks to its mountainous areas (Sierra Maestra and Sierra de Cristal), before being the scene of decisive battles in the independance wars during the 19th century. Later, the region will protect the years of fight for power, in the Revolution of Fidel Castro and his barbudos.
    Proud of its rebellious traditions, more colored with Africa that Havana, the Oriente aera knew to preserve its cultural traditions alive and fertile, and invented several major musical forms, whose
    son and bolero are the principal pearls.
  • orisha (orichas)
  • Deities of the pantheistic Santeria and other African, Afro-Latin and Afro-Caribbean based religion.
  • orquesta tipica

  • A Cuban musical group used to perform the contradanza. Orchestras that were the traditional interpreters of the early forms of the various Danzas. Their instrumentation consisted of woodwinds, brass, strings, the guiro and the traditional European tympani.

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